https://arnaudquercy.art/en/ Portfolio and artistic practice of Arnaud Quercy. en Tue, 21 Apr 2026 07:22:39 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0973.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0973.html Arnaud Quercy gives form to the transformation of ideas in After the Crossing, a ceramic sculpture completed in Paris in 2026. The piece presents a continuous form split along a spiral seam that runs from base to tip, its two surfaces rotating apart around a slightly off-center axis. The result is an object that remains whole while being irreversibly open. Drawing on the artist's ideamorphic framework — which holds that transmission always transforms rather than merely copies — the work explores what an idea becomes after passing through another mind. The ceramic surface is matte and fine-grained, warm white with sandy undertones, consistent across interior and exterior faces. The sculpture rests on a solid hardwood block base. Part of the Dramatis Personae series within the Untamed Creations collection, After the Crossing is Quercy's first attempt to make this conceptual framework visible as a single object. Sun, 29 Mar 2026 13:14:08 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0972.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0972.html Arnaud Quercy constructs a three-part argument in ceramic and wood in The Public Scribe, a sculpture from the Dramatis Personae series within Untamed Creations. A wood cube supports a white ceramic sphere, across which a ceramic feather balances at a diagonal. The three elements — world, idea, instrument — are reduced to their geometric essentials. Nothing is illustrative. The feather and sphere share the same white clay body; the wood stands apart as a different material entirely. The work draws on ideamorphism, Quercy's theoretical framework for how ideas travel between minds, and stages a figure the framework does not yet fully name: the relay, the one who transmits a complete thought on behalf of someone who cannot yet formalize it themselves. Created in Paris in March 2026, it is the second work in the Dramatis Personae series. Sun, 29 Mar 2026 08:38:06 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0971.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0971.html Arnaud Quercy translates piano harmony into visual form in G minor 7 - Research on Harmony - Variation 2, an acrylic painting exploring chromesthetic mapping. The work converts a six-note G minor 7 chord into corresponding color relationships using orange, violet, and silver tones. Part of the Synesthetic Explorations collection, this 21.0 × 30.0 cm piece demonstrates the artist's systematic approach to sound-color translation through cycle of fifths mapping. Thu, 05 Mar 2026 16:53:58 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0970.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0970.html Arnaud Quercy translates piano harmony into visual form in Bb7sus - Research on Harmony, an acrylic painting from the Synesthetic Explorations collection. The work maps the Bb7sus dominant seventh suspended chord through chromesthetic relationships, creating geometric color zones that correspond to specific pitches. Light blue-violet tones dominate the composition, with cream, violet, and black areas representing different octave registers. This compact study on paper explores how musical structures can generate coherent visual compositions through systematic color mapping. Thu, 05 Mar 2026 16:42:27 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0969.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0969.html Arnaud Quercy translates piano harmony into color in G7 - Research on Harmony, an acrylic painting exploring chromesthetic mapping. The work converts the G7 dominant seventh chord into visual form through systematic color correspondence. Part of the Synesthetic Explorations collection, this compact piece demonstrates how musical structures can become visible through contemporary chromesthetic research techniques. Thu, 05 Mar 2026 16:29:13 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0968.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0968.html Arnaud Quercy translates piano harmony into visual form in D5 (Power Chord) - Research on harmony - variation 1, an acrylic painting on paper. The work maps the D5 power chord spanning from D3 to A6 through chromesthetic color relationships. Orange tones dominate the composition, with dark salmon and peru creating substantial presence alongside silver and light gray neutrals. A yellow-orange accent provides harmonic tension in this first variation of the Synesthetic Explorations collection, exploring how musical intervals create visual harmony through direct color correspondence. Thu, 05 Mar 2026 16:15:56 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0967.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0967.html Arnaud Quercy translates the Eb major 7 chord into color in this synesthetic painting from 2026. The acrylic work maps piano harmonies to visual equivalents through structured chromatic relationships. Gray tones dominate alongside red-orange and blue-violet areas, with orange variations completing the harmonic spectrum. Part of the Synesthetic Explorations collection, this 21 × 21 cm study demonstrates the artist's systematic approach to sound-color translation. Certificate of authenticity 20260305-0019 included. Thu, 05 Mar 2026 16:07:38 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0966.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0966.html Arnaud Quercy translates the Em7b5 half-diminished seventh chord into color in this acrylic study from the Synesthetic Explorations collection. Silver and blue-violet tones dominate the 21×21 cm square composition, with yellow accents providing harmonic tension. Each color corresponds to specific pitches in the chord voicing, creating a visual representation of musical harmony through systematic color mapping on paper. Thu, 05 Mar 2026 15:36:26 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0965.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0965.html Arnaud Quercy transforms musical harmony into visual form in Eb minor M7 - Research on Harmony, an acrylic painting on paper. The work translates a specific piano chord through color mapping, with violet tones dominating alongside yellow-green accents. Part of the Synesthetic Explorations collection, this 21.0 × 21.0 cm square composition makes harmonic relationships visible through geometric forms and precise color relationships derived from cycle of fifth mapping. Thu, 05 Mar 2026 15:21:56 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0964.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0964.html Arnaud Quercy transforms a piano tritone interval into color in Tritone (Eb, A) - Research on Harmony, an acrylic painting on paper. The work translates the musical tension between Eb and A through blue-violet and yellow-orange chromesthetic relationships. Part of the Synesthetic Explorations collection, it maps five specific pitches across three octaves into their corresponding visual equivalents, creating a direct translation between sound and color perception. Thu, 05 Mar 2026 15:05:17 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0963.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0963.html Arnaud Quercy translates a G minor piano étude into visual form in G Minor - Research on harmony - Variation 16, an acrylic painting on paper. The work maps specific musical pitches G1, G3, Bb3, D4, Bb4, D5, G5 through corresponding color relationships, with orange tones dominating the composition alongside violet areas and silver accents. Part of the Synesthetic Explorations collection, this compact 21.0 × 30.0 cm work demonstrates systematic chromesthetic translation of harmonic structure into visual form. Thu, 05 Mar 2026 14:50:41 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0962.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0962.html Arnaud Quercy translates piano harmony into color in B sus4 - Research on Harmony, an acrylic painting exploring chromesthetic mapping. The work transforms the B sus4 suspended fourth chord into yellow-green and cream color relationships through systematic visual correspondence. Part of the Synesthetic Explorations collection, this 21.0 × 30.0 cm study demonstrates how musical structures from piano studies and cycle of fifth mapping can appear as geometric color compositions. Thu, 05 Mar 2026 14:42:33 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0961.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0961.html Arnaud Quercy translates a piano étude into color in Eb7 - Research on Harmony, an acrylic painting exploring synesthetic relationships. The work maps the Eb7 dominant seventh chord through systematic color assignment, with gray tones dominating alongside blue-violet steelblue and red-orange contrasts. Part of the Synesthetic Explorations collection, this 21.0 × 30.0 cm work on paper demonstrates how musical harmony becomes visible through precise color correspondence, creating direct links between auditory and visual perception. Thu, 05 Mar 2026 14:28:37 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0960.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0960.html Arnaud Quercy translates piano studies into chromesthetic form in D sus4 - Research on Harmony, an acrylic painting exploring the suspended fourth chord. The work maps the D sus4 chord (D2, D4, A4, A5, A6) through yellow-orange and orange tones with gray accents. Part of the Synesthetic Explorations collection, this 21.0 × 30.0 cm piece on paper demonstrates direct correspondence between musical harmony and visual color relationships through systematic chromesthetic translation. Thu, 05 Mar 2026 14:16:56 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0959.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0959.html Arnaud Quercy translates a piano étude into visual form in A Minor M7 - Research on Harmony, an acrylic painting exploring chromesthetic mapping. The work transforms the A Minor M7 chord into color relationships using cycle of fifths principles. Part of the Synesthetic Explorations collection, this 21.0 × 30.0 cm piece demonstrates contemporary approaches to sound-color translation through geometric forms and harmonic color organization. Thu, 05 Mar 2026 14:04:48 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0958.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0958.html Arnaud Quercy translates a piano étude into visual form in G Minor - Research on Harmony - Variations 15, an acrylic painting on paper. The work uses chromesthetic mapping to convert the G Minor triad into corresponding colors across five octaves. Part of the Synesthetic Explorations collection, this 21.0 × 30.0 cm work features silver, violet, and red-orange tones representing the spread voicing of Bb2, Bb3, G5, and Bb6. The cycle of fifths provides structural foundation for this sound-to-color translation, creating direct visual representation of harmonic relationships. Thu, 05 Mar 2026 13:30:57 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0957.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0957.html Arnaud Quercy translates a G minor chord into color in this acrylic work from the Synesthetic Explorations collection. The painting maps specific pitches to visual hues, with violet tones dominating the composition alongside steel gray and silver areas. Orange and coral accents mirror the chord's harmonic structure across multiple octaves. Created in 2026, this 21.0 × 30.0 cm work on paper demonstrates chromesthetic principles through precise color relationships that correspond to musical intervals. Thu, 05 Mar 2026 13:22:49 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0956.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0956.html Arnaud Quercy translates a C minor major seventh chord into visual color relationships in C Minor M7 - Research on Harmony, an acrylic painting on paper. The work maps piano studies and cycle of fifths theory onto a 21.0 × 30.0 cm surface, using light yellow-gray tones, silver areas, and yellow-green forms with red-violet and blue-violet accents. Part of the Synesthetic Explorations collection, the piece transforms harmonic structures into chromatic arrangements, exploring how musical intervals correspond to color relationships through geometric shapes that suggest musical notation. Thu, 05 Mar 2026 12:55:54 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0955.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0955.html Arnaud Quercy translates a piano étude into visual form in A7Sus - Research on Harmony, an acrylic work exploring chromesthetic mapping. The A7Sus dominant seventh suspended chord appears through yellow-orange and orange tones with steel gray counterpoints. Part of the Synesthetic Explorations collection investigating connections between harmonic structures and color perception. Created in France, 2026, on paper support measuring 21.0 × 30.0 cm. Thu, 05 Mar 2026 12:42:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0954.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0954.html Arnaud Quercy translates a G minor 7 chord into color through chromesthetic mapping in this acrylic painting. The work transforms piano studies into visual harmonies, with orange tones dominating alongside violet and red-violet accents. Part of the Synesthetic Explorations collection, it maps specific chord voicings across multiple octaves. The 21.0 × 30.0 cm piece demonstrates systematic sound-color correspondence through precise tonal relationships on paper. Thu, 05 Mar 2026 12:33:45 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0953.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0953.html Arnaud Quercy translates a piano étude into color through chromesthetic mapping in F7 - Research on Harmony, an acrylic painting exploring the F7 dominant seventh chord. Part of the Synesthetic Explorations collection, this 21.0 × 30.0 cm work on paper demonstrates how musical harmony converts to visual form through cycle of fifths relationships. The composition balances silver-gray foundations with red-violet tones and strategic color accents, creating a systematic translation of sound into sight. Wed, 04 Mar 2026 15:20:04 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0952.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0952.html Arnaud Quercy translates the A5 power chord into color in this acrylic painting from the Synesthetic Explorations collection. The work maps piano harmonies to yellow-orange and yellow-green tones through chromesthetic correspondence. Created in 2026, this compact study explores the visual representation of musical chord structures through systematic color relationships based on the cycle of fifths. Wed, 04 Mar 2026 13:23:27 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0951.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0951.html Arnaud Quercy translates piano harmony into visual form in F Major 9, an acrylic painting that maps a major ninth chord to color. The work uses systematic chromesthetic principles to transform musical pitches F4, G4, F5, G5, and A6 into warm orange, red, and gray tones. Executed on paper at 21.0 × 30.0 cm, this contemporary piece demonstrates the intersection of music theory and visual art through cycle of fifths mapping. Wed, 04 Mar 2026 13:13:00 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0950.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0950.html Arnaud Quercy translates a piano study into visual form in D5 (Power Chord) - Research on Harmony, an acrylic painting exploring chromesthetic mapping. The work transforms the D5 power chord spanning D4 through A6 into corresponding color relationships. Part of the Synesthetic Explorations collection investigating musical-visual translation. Orange and yellow-orange tones dominate the 21.0 × 30.0 cm composition, with neutral grays providing structural balance and a single red-orange accent creating harmonic tension. Wed, 04 Mar 2026 12:28:58 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0949.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0949.html Arnaud Quercy translates a B minor seventh chord into visual form through chromesthetic mapping in this 2026 acrylic work. The painting transforms the seven-note voicing F#3, D4, Eb4, B4, A5, B5, D6 into geometric color arrangements. Gray tones dominate with yellow-orange, green, and blue-violet accents creating harmonic relationships. Part of the Synesthetic Explorations collection, this compact 15.0 × 21.0 cm work on paper demonstrates the artist's systematic approach to converting piano studies into spatial color compositions through cycle of fifths mapping. Wed, 04 Mar 2026 11:03:43 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0820.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0820.html Arnaud Quercy translates C minor harmony into color through chromesthetic mapping in this geometric watercolor. The work transforms musical intervals into spatial relationships, with warm orange tones dominating the composition and red-orange accents marking specific harmonic positions. Part of the Synesthetic Explorations collection, this piece examines how sound becomes visible through systematic color translation. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0874.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0874.html Arnaud Quercy translates the Eb Minor triad into visual form through chromesthetic mapping in this acrylic work. The piece transforms piano harmonies Bb4, Bb5, F#6, and F#7 into red-violet and yellow-green geometric compositions. Part of the Synesthetic Explorations collection, this small-format work explores how musical chord structures become color relationships through systematic translation. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0694.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0694.html Arnaud Quercy translates the Bb Major triad into visual form in this monumental acrylic on linen canvas, part of the Research on Harmony series within his Synesthetic Explorations collection. Drawing from rhythm changes — the foundational jazz chord progression — the painting maps purple to Bb, orange to D, and purple-red to F using chromesthetic principles based on the circle of fifths. Broad geometric planes of burnt sienna and bright orange meet deep purple fields, connected by pink and mauve rectangular forms. The bridge sequence of D7, G7, C7, F7 traces a chromatic descent through the warm color spectrum. At eighty-one by one hundred centimeters on linen, the vertical composition stacks color relationships with matte acrylic clarity, capturing the tension and resolution cycle of jazz harmony as interlocking color fields. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0526.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0526.html Arnaud Quercy transforms the D Major9 chord into visual form through synesthetic color mapping in this compact acrylic work. The piece organizes white, yellow-orange, and gray tones into geometric sections that make musical harmonies visible. Part of the Synesthetic Explorations collection, this variation demonstrates systematic color-sound correspondence on paper, measuring 10 × 15 cm with certificate of authenticity. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0761.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0761.html Arnaud Quercy translates F minor harmony into visual form in this chromesthetic painting, part of the Synesthetic Explorations collection. The acrylic work maps musical tones to colors through geometric composition, with pale violet-red representing C5 and dark gray translating F2. Created in 2024 on wood panel, the piece makes harmonic relationships visible through precise color correspondence, exploring the intersection of sound and sight in contemporary art practice. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0929.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0929.html Arnaud Quercy translates the A minor chord into visual harmony through systematic color mapping in this acrylic on paper work. Orange tones dominate the twenty-one by thirty centimeter composition, with red-orange areas and yellow accents representing the chord's constituent notes. Part of the Synesthetic Explorations collection, this piece demonstrates how musical structures from piano studies and circle of fifths theory can generate coherent visual relationships, bridging sound and sight through geometric color organization. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0637.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0637.html Arnaud Quercy translates musical harmony into visual color in F# Major - Research on Harmony - Variation 1, an acrylic work on paper. The piece transforms the F# Major triad into corresponding chromesthetic colors - yellow-green, red-orange, and green tones organized in geometric forms. Part of the Synesthetic Explorations collection, this compact 10.0 × 15.0 cm work demonstrates direct translation between auditory and visual perception through systematic color-sound relationships. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0943.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0943.html Arnaud Quercy translates E Major harmony into visual form in this chromesthetic study, an acrylic on paper work measuring 12.0 × 18.0 cm. The composition maps musical chord tones to color relationships, with blue-violet tones dominating against warm wheat accents. Part of the Synesthetic Explorations collection, the work examines how harmonic structures appear through geometric color arrangements. Created in France in 2025 with certificate of authenticity number 20251231-0138. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0930.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0930.html Arnaud Quercy translates the Bb minor chord into visual form through systematic color mapping in this acrylic on paper work. Purple, blue-green, and red-purple correspond to specific musical notes, creating a direct bridge between sound and sight. Part of the Synesthetic Explorations collection, this twenty-one by thirty centimeter painting demonstrates how musical harmony generates visual composition through geometric abstraction and chromatic relationships. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0424.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0424.html Arnaud Quercy explores contentment through abstract forms in A Happy Man, a watercolor painting featuring gray tones and warm accents. The work uses geometric shapes and soft color transitions to convey emotional warmth. Part of the Mediterranean Echoes collection, this 21.0 × 30.0 cm piece demonstrates the artist's approach to translating psychological states into visual harmony through muted palettes and balanced composition. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0859.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0859.html Arnaud Quercy translates musical harmony into visual form in F Major - Research on Harmony - Variation 9, a watercolor exploring chromesthetic mapping. The work converts the F Major triad into corresponding color relationships, with red-orange tones dominating the composition alongside orange and red-violet areas. Part of the Synesthetic Explorations collection, this intimate 10.0 × 15.0 cm piece demonstrates how chord structures can be visualized through systematic color translation methods. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0581.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0581.html Arnaud Quercy reduces the human face to essential geometry in QUIETNESS, a ceramic sculpture on metal from the Untamed Creations collection. The work distills facial features into three architectural elements: a vertical blade nose, horizontal eye slits, and a curved skull shell. Created at the Profils et Reliefs workshop in Paris under master ceramicist Isis Gondoin, the sculpture was hand-sanded after high-temperature firing and sealed with beeswax to achieve a stone-like surface quality. The piece draws on traditions of geometric simplification from Cycladic sculpture through Brancusi and Modigliani. Cataloged as AQC0581, the work measures forty by twelve by twelve centimeters in fine-grog ceramic on a dark metal stand. Part of a collection exploring free sculptural expression outside systematic transliteration frameworks. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0678.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0678.html Arnaud Quercy translates a C# minor chord into color through chromesthetic mapping in this watercolor from the Synesthetic Explorations collection. Yellow-green tones dominate the composition with white areas and golden ochre accents, creating visual harmony from musical structure. Part of the Research on Harmony series exploring systematic sound-to-color translation. Completed in France 2024, 16.0 × 24.0 cm on paper with certificate of authenticity. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0451.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0451.html Arnaud Quercy explores dynamic movement in Unbridled Spirit, an abstract watercolor painting from 2023. The work features flowing organic forms in warm orange and coral tones against cooler blue-violet passages. Part of the American Voyage collection, this 19.0 × 26.0 cm piece demonstrates contemporary abstract expression through traditional watercolor techniques. Certificate of authenticity included. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0922.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0922.html Arnaud Quercy translates the C minor chord into visual form in "C Minor - Research on Harmony - Variations 14," an acrylic on paper work measuring twenty-one by thirty centimeters. The painting draws inspiration from Miles Davis's "Solar," converting the introspective qualities of C minor into interlocking geometric shapes. Orange and red-orange tones dominate, with violet forms creating harmonic counterpoint. Bold geometric divisions organize the warm earth palette against cool purple passages. As Variation 14 in the Synesthetic Explorations collection, the work demonstrates how chromesthetic mapping converts minor-key tonality into visual structure. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0711.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0711.html Arnaud Quercy translates a piano étude in A minor into visual form through chromesthetic mapping in this acrylic painting. The work transforms the A minor triad into orange, red, and yellow-orange geometric forms that create a spread voicing across the composition. Part of the Synesthetic Explorations collection, this compact vertical piece on wood panel explores how musical harmony becomes visible color relationships through systematic color-sound correspondence. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0337.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0337.html Arnaud Quercy explores Heidegger's concept of being in Dasein, a 3D printed wood PLA sculpture on metal base. The twenty-five by thirty by fifteen centimeter work creates continuous loops where material and void define each other through spatial relationships, elevated by a fifteen centimeter base. Part of the Research on Tensions collection, this piece advances technical research in additive fabrication at sculptural scale, France 2022. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0597.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0597.html Arnaud Quercy translates F minor into visual form in this acrylic painting, part of the Synesthetic Explorations collection. The work maps musical tones to colors through chromesthetic correspondence, with the F minor triad appearing as red-violet, blue-violet, and white areas. Geometric shapes overlap to create harmonic relationships in paint, measuring 21.0 × 30.0 cm on paper. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0556.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0556.html Arnaud Quercy translates a C Major9 chord into visual form through chromesthetic mapping in this acrylic on paper study. Orange tones dominate the 10 × 15 cm composition, representing the chord's D notes in different octaves, while red-violet and dusty mauve areas provide harmonic grounding. Part of the Synesthetic Explorations collection, this Variation 8 demonstrates how extended jazz harmonies become color relationships through systematic translation of musical structure into geometric visual form. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0867.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0867.html Arnaud Quercy translates C octaves into visual form through chromesthetic mapping in this acrylic study. Red-spectrum variations explore harmonic doubling relationships, with rosy browns and firebricks creating the dominant color structure. Part of the Synesthetic Explorations collection, this compact work on paper demonstrates systematic translation of musical intervals into color relationships. Certificate of authenticity 20251123-0092, signed bottom right. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0504.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0504.html Arnaud Quercy transforms urban wildlife into geometric personality in The Grumpy Pigeon of Cap Town, a watercolor from his Nature in the City collection. The work captures Cape Town's park life through warm yellow-orange tones and playful abstraction. This intimate character study demonstrates Quercy's ability to find charm in everyday urban encounters, measuring 21.0 × 29.5 cm on paper with certificate of authenticity number 20231229-0091. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0440.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0440.html Arnaud Quercy translates a piano étude into chromesthetic color in F# major - Reflexions 5, a watercolor exploring synesthetic perception. The F# Major triad appears as orange, yellow-orange, and violet tones, with each note finding its visual equivalent. Part of the Synesthetic Explorations collection, this 30 × 42 cm work demonstrates how musical harmony becomes spatial color relationships through systematic chromesthetic mapping. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0857.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0857.html Arnaud Quercy translates musical harmony into visual form in E Major - Research on Harmony - Variation 8, a watercolor study from 2025. The work transforms an E Major chord into yellow-orange and blue-violet color relationships through chromesthetic mapping. Part of the Synesthetic Explorations collection, this compact 10.0 × 15.0 cm piece demonstrates systematic correspondence between musical tones and color families, creating a tangible representation of harmonic structure through watercolor technique. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0536.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0536.html Arnaud Quercy translates musical harmony into visual form in Ab Major 9 - Research on Harmony - Variation 4, an acrylic work exploring chromesthetic mapping. The piece transforms an Ab Major 9 chord into corresponding color relationships, with red-orange tones dominating alongside deep violet hues. Part of the Synesthetic Explorations collection, this intimate 14.8 × 21.0 cm study demonstrates systematic color-sound translation through precise acrylic application on paper. Wed, 18 Feb 2026 23:02:51 +0000 https://arnaudquercy.art/en/catalogue-raisonne/AQC0842.html https://arnaudquercy.art/en/catalogue-raisonne/AQC0842.html Arnaud Quercy translates the G# diminished chord into visual harmony in this watercolor study. Yellow-green and blue-violet tones create the dominant color relationships, with gray providing structural foundation and orange accents. Part of the Synesthetic Explorations collection, this 14.8 × 21.0 cm work demonstrates systematic color-sound correspondence through chromesthetic mapping. Wed, 18 Feb 2026 23:02:51 +0000