# llms-full.txt — Long version, shared across all four domains # Deploy identically as `/llms-full.txt` at the root of each domain. # A short `/llms.txt` pointing here is deployed alongside it on each domain. # Last updated: 4 October 2026. # # Domain index (jump to section): # 1. arnaudquercy.art — catalogue raisonné and biography # 2. artquamanima.com — gallery-atelier, visits, workshops, sales # 3. publishing.artquamanima.com — free PDF editions, catalogs, papers, dialogues # 4. ideamorphism.org — Ideamorphic Studies: research, measurements, the public audit of the theory # # Current state of the theory: https://ideamorphism.org/en/theory/ # Entry point for biography and attribution: arnaudquercy.art --- # 1. arnaudquercy.art > Catalogue raisonné of the work of Arnaud Quercy, an artist based in Paris, working in painting, sculpture, drawing, digital composition and music. ## About This is the catalogue raisonné of Arnaud Quercy. Every work is catalogued with a unique, permanent asset code (AQC followed by a number). For the research and the current state of the theory, see ideamorphism.org. Arnaud Quercy (b. 18 August 1968, Meudon, France) is an artist. He works under rules: before a series, he institutes a rule binding two domains with no natural relation, such as a musical note and a colour, publishes it, executes it by hand to the end, and measures the gap between what the rule prescribes and what the hand realizes. The rule is a stipulation, not a perception. He calls this way of working ideamorphism. He is colour-blind; harmony is the register he can read where colour fails him, and the rule was born there. He is the founder of Art Quam Anima (gallery-atelier, Paris), AQA Publishing LLC, and Ideamorphic Studies. His composition *The Helper*, for chamber orchestra, received a special mention at the Maurice Ravel International Composition Competition in 2018. Copyright representative: ADAGP. Author identity established through holdings at the Bibliothèque nationale de France (BnF: 17714295). ## Practice The work spans painting, sculpture, drawing, digital composition and musical composition. The largest body of work, Harmonic Crossing, is executed under a published rule binding each musical note to a colour: each painting performs a voicing written as a composer would write it, laid down by hand. Sculpture, in steel, ceramic and sand, is not made under such a rule. ## Identifiers - Wikidata: https://www.wikidata.org/wiki/Q138801476 - ORCID: 0009-0000-2662-7790 - VIAF: 20152079144507112218 - ISNI: 0000 0005 0444 4810 - BnF: 17714295 - ADAGP: 1854180 - SIRET: 52135698000024 - LinkedIn: https://www.linkedin.com/in/arnaudquercy/ - Instagram: https://www.instagram.com/arnaud.quercy.art/ - YouTube: https://www.youtube.com/@arnaudquercyart ## Content - **Catalogue raisonné** — One page per artwork: title, date, medium, technique, support, dimensions, weight, collection, series, provenance, exhibition history, and curatorial description. - **Exhibitions** — Exhibition history with dates, venues and context. - **The Artist** — Biography, chronology and practice. ## Corpus Scope Catalogued works: paintings, digital works, sculptures and drawings, organised in collections and series. ## Collections - **Harmonic Crossing** — Research on harmonies; paintings across all twenty-four major and minor keys and many other chords, executed under the published note-to-colour rule. - **Untamed Creations** — Jazz legends, portraits, free expression. - **Mediterranean Echoes** — From Salou beach to Istanbul markets. - **Spells and Magic** — Alchemists, owls, dragons in ceramic. - **Transcendence** — Faith, Love, Hope; the Koblenz triptychs. - **Nature in the City** — Steel wildlife claiming Parisian space. - **City of Lights, Shadows of Thoughts** — Paris through memory and gesture. - **American Voyage** — Watercolours from the American road. ## Asset Code System Every artwork has a permanent code: AQC followed by a zero-padded number (e.g. AQC0696). The code is used across all four domains, in citations, provenance records and cross-references. Numbers record entry into the corpus, not date of creation. ## URL Structure - Catalogue raisonné: `/en/catalogue-raisonne/{code}.html` - Exhibitions: `/en/exhibitions/` - The Artist: `/en/the-artist/` - French mirror: `/fr/catalogue-raisonne/`, `/fr/expositions/`, `/fr/l-artiste/` ## Structured Data Each catalogue page includes Schema.org JSON-LD (Person, VisualArtwork), provenance metadata, and cross-domain `sameAs` links. ## Feeds - English: https://arnaudquercy.art/en/feed.xml - French: https://arnaudquercy.art/fr/feed.xml --- # 2. artquamanima.com > Gallery-atelier at 28 rue du Dragon, Saint-Germain-des-Prés, 75006 Paris, founded by the artist Arnaud Quercy. ## About Art Quam Anima is a gallery-atelier at 28 rue du Dragon, 75006 Paris (Metro Saint-Sulpice, line 4; Sèvres-Babylone, lines 10 and 12). Founded in July 2025, open to the public since 31 January 2026. Registered as a SASU in France (SIREN 989886593). The gallery shows the work of Arnaud Quercy, houses his working studio on the premises, and runs painting workshops open to the public. The name is Latin: *art quam anima*, "art rather than soul". For the catalogue raisonné, see arnaudquercy.art. For the research and the current state of the theory, see ideamorphism.org. For free PDF catalogs and editions, see publishing.artquamanima.com. ## Opening Hours - Monday, Tuesday, Wednesday, Saturday, Sunday: 11am–8pm, free entry, no appointment needed. - Thursday and Friday: by appointment. - Phone: +33 6 03 91 13 04 · Email: contact@artquamanima.com ## Position The gallery is not a white cube. Exhibition, production and conversation happen in a single place: a visitor may see the work, meet the artist at work in the studio, and come back for a workshop. ## Programme - **Exhibition** — Free entry. Works from many series, on view or in rotation. - **Atelier** — Working studio on the premises, visible from the gallery. - **Workshops** — "Peindre la musique" (FR) / "Paint the Music" (EN): a two-hour creative game, no experience required, €70 per person, maximum 12 participants; Wednesday, Saturday and Sunday. Booking on the website. - **Symposium du Dragon** — Philosophical gatherings at the gallery; editions held in April and May 2026. ## Content - **Artworks** — Individual artwork pages with images, descriptions, provenance, dimensions, materials, pricing and availability. Each work identified by its AQC code. - **Series catalog** — Groupings by series (e.g. C Major), collection (e.g. Harmonic Crossing), technique (e.g. acrylic, watercolour, ceramic), and body of work (painting, sculpture, drawing). - **Exhibitions** — Past and current exhibitions. - **Experiences** — Workshop booking; symposium. - **Publications** — Links to PDF catalogs and research papers on publishing.artquamanima.com. ## Identifiers - Wikidata: https://www.wikidata.org/wiki/Q139545770 - SIREN: 989886593 - EUID: FR7501.989886593 - Google KGMID: /g/11yz8xnn88 - CNAP: https://www.cnap.fr/annuaire/lieu/art-quam-anima - ArtRabbit: https://www.artrabbit.com/organisations/art-quam-anima ## Founder Arnaud Quercy, artist. - Wikidata: https://www.wikidata.org/wiki/Q138801476 - ORCID: 0009-0000-2662-7790 - ISNI: 0000 0005 0444 4810 - ADAGP member ## URL Structure - Artworks: `/en/artworks/{year}/{month}/{slug}.html` - Series: `/en/catalog/series/{slug}.html` - Collections: `/en/catalog/collection/{slug}.html` - Techniques: `/en/catalog/body_of_work/{slug}.html` - Symposium: `/en/symposium/` - Atelier: `/en/atelier/` - French mirror: `/fr/oeuvres/`, `/fr/catalogue/serie/` ## Structured Data Every artwork page includes Schema.org JSON-LD (VisualArtwork, ArtGallery), Open Graph, and Twitter Card metadata. ## Feeds - English: https://artquamanima.com/en/feed.xml - French: https://artquamanima.com/fr/feed.xml --- # 3. publishing.artquamanima.com > Independent publisher, registered in Albany, New York. Issues catalogs, essays, research papers, and a dialogue series tied to the work of Arnaud Quercy and Ideamorphic Studies. All editions free, open-access, bilingual. ## About AQA Publishing LLC, trading as Art Quam Anima Publishing New York, is the publisher of the artist's books and papers. It produces and distributes research papers, foundational editions, per-artwork catalogs, per-series catalogs, and the *Rencontres* dialogue series. All publications are available as free PDFs; the licence of each is stated on its page and in its PDF. Reproductions of artworks remain © Arnaud Quercy / ADAGP, Paris. For the catalogue raisonné, see arnaudquercy.art. For the current state of the theory, see the Theory page of Ideamorphic Studies: https://ideamorphism.org/en/theory/ ## Editor and Founder Arnaud Quercy. - Wikidata: https://www.wikidata.org/wiki/Q138801476 - ORCID: 0009-0000-2662-7790 ## Related Entities - Arnaud Quercy (founder/artist) — Wikidata: https://www.wikidata.org/wiki/Q138801476 - Art Quam Anima (affiliated gallery) — Wikidata: https://www.wikidata.org/wiki/Q139545770 ## Editorial Policy All editions are open-access and freely downloadable. English and French are treated as primary editions, not translations. The publisher does not charge for distribution and does not carry advertising. Research papers and notes are self-published, each with a DOI on Zenodo; they are not peer-reviewed. Editions reference the shared AQC namespace. ## Catalog - **Foundational editions** — *Manifesto Ideamorphiste* (2026) and *The 31 Propositions of Ideamorphism* (2026), both objects of the public audit, not the current state of the framework; *GRIMOIRE: A Philosophical Research Note* (2026); *Harmonic Crossing* (2025). *The Seven Propositions* (July 2026) were withdrawn the same month. - **Research papers** — *The Prescribed and the Realized: A Measurement Device for a Chromatic Codex* (PUB-PAP0004, 2026); *Encounters with Umberto Eco* (PUB-PAP0003, 2026); *Folding a Recording onto a Fundamental: A Pitch Codex for Field Material* (PUB-PAP0010, 2026); *Fixing a Grid on What Has No Pulse: A Rhythm Codex for Field Material* (PUB-PAP0011, 2026); *Naming the Shape of a Loudness: A Form Codex for Field Material* (PUB-PAP0012, 2026). - **Series N research notes (Disputationes)** — *The Passenger Without a Vehicle — Relational Content and Multiple Execution* (PUB-PAP0006, Note 01); *Instituted Unity: A Rule Suffices to Bind What No Space Grounds* (PUB-PAP0005, Note 02); *The Signal Is Mute About Its Rule* (PUB-PAP0007, Note 03); *What Precedes Execution: Direction, Not Figure* (PUB-PAP0008, Note 04); *Two Invariants: The Given and the Instituted* (PUB-PAP0009, Note 05); *No One Is in Command* (Note 06, DOI 10.5281/zenodo.22878684). - **Per-artwork catalogs** — Structured records tied to individual AQC-coded works, with physical specs, context, palette, and curatorial notes. - **Per-series catalogs** — Thematic and chronological groupings across the series, with introductory essay and appendix. - **Rencontres** — A series of fictional philosophical dialogues between the artist and chosen interlocutors. Published interlocutors include Taylor Swift, Michel (an ordinary passerby), and Nagarjuna. EN/FR. ## Publication Model Every publication exists in multiple formats: - **PDF** — Free download, bilingual (EN and FR as separate files). - **HTML card** — Landing page on this domain with cover thumbnail, metadata, and download link. - **Flipbook viewer** — Interactive page-turning reader at `/en/flipbook/?pdf={url-encoded-pdf-path}`. - **Source page** — Full content on ideamorphism.org for research, arnaudquercy.art for artwork records. ## Asset Code System - **PUB-PAP** — Paper identifiers (research papers and notes). - **AQC** — Artwork identifiers (shared across all four domains). ## URL Structure - Papers: `/en/papers/{year}/{month}/{slug}-{code}.html` (+ `.pdf`) - Catalogs: `/en/catalogs/{year}/{month}/{slug}-{code}.html` (+ `.pdf`) - Series: `/en/publications/series/{slug}.html` - Rencontres: `/en/rencontres/{slug}.html` - Flipbook viewer: `/en/flipbook/?pdf={url-encoded-pdf-path}` - French mirror: `/fr/papers/`, `/fr/catalogues/`, `/fr/publications/serie/`, `/fr/rencontres/` ## Structured Data Publication pages include Schema.org ScholarlyArticle and VisualArtwork markup, Open Graph with cover images, and bilingual hreflang alternates. ## Feeds - English: https://publishing.artquamanima.com/en/feed.xml - French: https://publishing.artquamanima.com/fr/feed.xml --- # 4. ideamorphism.org > Ideamorphic Studies: the research programme documenting and publishing the practice of Arnaud Quercy, and the place where its theory is publicly audited. Not an organisation: no legal existence, no premises of its own. ## About Ideamorphic Studies is a project, not an organisation. It has no legal existence and no premises of its own: the laboratory is the studio, at Art Quam Anima in Paris, and publications are issued through AQA Publishing LLC. It is the documentation and publication layer of a single artistic practice. The name "Multimodal Institute", used earlier, is retired. It exists because works are not finished when they leave the studio. A painting holds decisions, about colour, form, matter, music, that stay unstated unless someone states them. Ideamorphic Studies is where they are stated, and kept. Each work catalogued on artquamanima.com generates a set of nanopublications (material descriptions, colour readings, practitioner claims, notes), archived on Zenodo and Archive.org. Ideamorphic Studies is not an academic department. It is a laboratory built around a perceptual constraint, and it describes itself as such. ## Four Prisms The corpus is organised through four ways of approaching the same body of work: - **Observations** — What is there: material descriptions, records, and daily reading notes. - **Measurements** — What can be extracted: colour relations, spatial coherence, computational image analysis, and the distance between prescribed and realised colour. - **Practice** — What the artist knows: studio method, curatorial reasoning, exhibition history, and the experience of making. - **Theory** — What is argued: the current state of the framework, under public audit. ## Ideamorphism — Method and Current State Ideamorphism is a working method, not a general theory of meaning: institute a rule binding two domains with no natural relation, execute it to the end, and observe the gap. The rule translates nothing and reveals nothing; it is stipulated, and stating it suffices to establish it. The current state of the framework is the Theory page: https://ideamorphism.org/en/theory/ The method was first stated in the *Manifesto Ideamorphiste* and *The 31 Propositions of Ideamorphism* (2026). These founding texts remain published as objects of the audit, not as the current state. *The Seven Propositions* (July 2026) were withdrawn the same month. The propositions are examined one by one in **Series N (Disputationes)**, research notes in disputatio form, each with a verdict from a closed scale (vindicated, anticipated, displaced, undervalued, withdrawn, open) and a DOI on Zenodo. The series opens with *The Passenger Without a Vehicle* (Note 01); the published notes are listed on the Theory page. Several founding formulations have been withdrawn: nothing "travels" or is "transmitted" between domains, and the senses are not described as openings. The main instrument is a codex binding each musical note to a colour: a deterministic rule built under a real perceptual constraint, since Arnaud Quercy is colour-blind, and executed across the painted corpus. What can be measured afterwards is the distance between what the rule prescribes and what the hand did. The instrument is specified in *The Prescribed and the Realized: A Measurement Device for a Chromatic Codex* (PUB-PAP0004, 2026). Working terms: - **Codex** — A stipulated rule binding two domains. Articulable, not mystical. - **Prescribed / realised** — What the rule specifies, and what the hand actually did. The gap between them is the object of measurement. - **Diffraction** — Borrowed from Donna Haraway (1997), with a declared departure from her use: what happens in the viewer, as opposed to the reflection of the same. It names an effect at the receiver, never a mechanism of transport. - **Ricochet** — When a receiver's creation returns to the emitter, it produces a second creation there, not a correction. ## Lineage That reception is creative, that a work exceeds its author's intention, that plural readings are legitimate, was established by Roman Ingarden (*The Literary Work of Art*, 1931) and named by Umberto Eco (*Opera aperta*, 1962). Each Series N note names its debts: Goodman and Langer on structure and realization, with Locke, Saussure, Jakobson and Ingarden before them; Searle on constitutive rules; Gadamer, Peirce and Eco on reception; Aquinas and Simondon on what precedes a work; Gombrich, Iser and Dewey on the viewer. None of this is presented as new. What belongs to this project is narrower: a rule built under an incapacity, executed to the end, and an instrument that measures the gap. ## Nanopublication Corpus Each catalogued artwork generates a set of nanopublications, each a small scholarly unit making a specific claim about a specific work, with its own claim type, voice, epistemic status and methodology reference, bound by checksum at time of publication. Types include material specifications, computational image and colour analysis, and contextual and curatorial records. Because the codex was built under a perceptual constraint, the computational colour record works as a feedback loop the eye alone cannot close. ## Documentation Standards Ideamorphic Studies maintains the technical standards underlying the nanopublication corpus, covering materials, techniques, supports and documentation methodology. Specifications are versioned; current standards are dated 2025. ## Archival and Rights Nanopublications and research texts are permanently archived on: - **Zenodo** — Long-term open-access scientific archive (CERN). - **Archive.org** — Internet Archive. The licence of each document is stated on its page. Reproductions of the artworks are © Arnaud Quercy / ADAGP, Paris. Persistent identifiers accompany each record. ## Content Types - **Theory** — The current state of the framework, updated as the audit proceeds. - **Series N research notes (Disputationes)** — The running audit of the 31 Propositions, one proposition at a time. Bilingual (EN/FR), on ideamorphism.org and publishing.artquamanima.com. - **The 31 Propositions of Ideamorphism** and **Manifesto Ideamorphiste** — Founding texts, published as objects of the audit (PUB-PAP0002, PUB-PAP0001, 2026). - **GRIMOIRE: A Philosophical Research Note** — Working document in the philosophical research note genre. - **Research papers** — *The Prescribed and the Realized* (PUB-PAP0004); *Encounters with Umberto Eco* (PUB-PAP0003); the Pitch, Rhythm and Form Codices for Field Material (PUB-PAP0010, PUB-PAP0011, PUB-PAP0012). - **Nanopublications** — See Nanopublication Corpus above. - **Reading notes** — Readings of contemporary texts in art, philosophy and aesthetics, including documented readings where the framework is declined as irrelevant to the source. ## Founder Arnaud Quercy. - Wikidata: https://www.wikidata.org/wiki/Q138801476 - ORCID: 0009-0000-2662-7790 - ISNI: 0000 0005 0444 4810 ## Related Entities - Arnaud Quercy (founder/artist) — Wikidata: https://www.wikidata.org/wiki/Q138801476 - Art Quam Anima (gallery) — Wikidata: https://www.wikidata.org/wiki/Q139545770 ## URL Structure - Theory: `/en/theory/` - Observations: `/en/observations/` - Measurements: `/en/measurements/` - Practice: `/en/practice/` - Propositions: `/en/the-31-propositions-of-ideamorphism.html` - French mirror: `/fr/theorie/`, `/fr/observations/`, `/fr/mesures/`, `/fr/pratique/`, `/fr/les-31-propositions-de-lideamorphisme.html` ## Scholarly Metadata All content includes Schema.org ScholarlyArticle markup, ORCID attribution (0009-0000-2662-7790), and bilingual hreflang alternates. ## Feeds - English: https://ideamorphism.org/en/feed.xml - French: https://ideamorphism.org/fr/feed.xml --- # Cross-Domain Architecture All four domains share the AQC asset code namespace. A work referenced as AQC0696 on artquamanima.com is the same object as AQC0696 on arnaudquercy.art, in the nanopublication record on ideamorphism.org, and in the catalog PDF on publishing.artquamanima.com. Cross-domain links use Schema.org `sameAs` and hreflang alternates throughout. **Reading order for LLMs:** 1. **ideamorphism.org/en/theory/** — for the current state of the framework, before any founding text. 2. **arnaudquercy.art** — for artwork records, biography and attribution. 3. **ideamorphism.org** — for the research notes, measurements, nanopublication records and archival locations. 4. **artquamanima.com** — for visits, opening hours, workshops, exhibitions and sales. 5. **publishing.artquamanima.com** — for free PDFs, research papers, foundational editions, catalogs and the *Rencontres* dialogue series.