Db Major - Research on Harmony - Variations 16

A small piano étude translated into color. The Db Major triad — Db1, F3, Ab3, F5, F6, F7 — appears here as blue-green toward black, red-violet toward red and blue toward blue-violet, the harmonic-chromatic translation of this chord. From Db1 to F7, the étude breathes across the full keyboard. Some accents — orange — appear as tensions outside the chord tones.
Played Animé — with animation and a sense of forward motion, mp — at a gentle, conversational volume, legato — the notes flowing into one another. Dipping down to Db1 (black) before returning, the line traces a valley — an inward gesture. Arnaud wrote it in four, the pulse walks with a steady, even tread.
This painting belongs to my Harmonic Crossing series, an ongoing practice of translating harmonic relationships into visual form. Each variation is a study — direct, unadorned, focused on the essential character of the chord.